at times when hope is too big of a thing to have, curiosity (even clinical or small) is a very good placeholder
Olivia
Dianna Settles (Vietnamese-American, 1989) - My Butterfly Year (2022)
from abell 2218 by eric gamalinda, published in amigo warfare: poems
[Text ID: I use my body to find love. I eat all the wrong foods. I believe what I see with my own two eyes. Fear eats me. I have to look for a job. I can sprint faster than sound. I burn forever, I have no end. /End ID]
I bought a pale blue dress from Humana / and walked alone, home, in it, / through the parades of my emptiness.
Fadekemi Ogunsanya, Abundance of Love, 2021
The sea is not a surface. It is, from top to bottom, an abyss. If you want to cross the sea, sink.
2022, oil on cradled wood panel
[ID: A painting of four midsized lit white candles atop a table or shelf. The candles are all warped by the heat and are in various stages of melting, with a puddle of melted wax having formed beneath them. The painting has visible brushstrokes. End ID.]
“It is a muggy August morning and the air in the room is still. Well over half the year has gone by already, which is a worry. I wanted to make something of myself this year. There’s still time, I think. Definitely some time.”— Yrsa Daley-Ward, “The Terrible” (via sapphoisms)
Everyone had stories they told themselves to get through the days.
What will you do with your youth,
It wants to know, once you are safe
And free?— Stephanie Burt, from “Kurt Wagner’s Song,” We Are Mermaids








